Beautiful Collection of Antique Turkish Oushak Rugs
Antique Turkish Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period. Historians attributed to them many of the great masterpieces of early Turkish carpet weaving from the 15th to the 17th centuries. However, less is known about what happened to production there in the 18th and early 19th centuries.
When things become more clear toward 1900, the Oushak region re-emerges as a major center, this time for room-size decorative rugs. Antique Turkish Oushak rugs such as these are desirable today as highly decorative pieces. They come in central, or small allover medallion designs as well as scattered sprays of vine scroll and palmettes. They are notable for the grand, monumental scale of the designs, often a subdued palette in soft apricot and golden saffron tones whose pleasing qualities are enhanced by their particularly soft and lustrous wool.
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“Cosmopolitan” and “sophisticated” are two words that aptly describe Oushak rugs. Although the Ghiordes knot and the quirky angular designs have a certain primitive air, the rugs from Turkey are exceptionally unique and attractive. Without compromising to appeal to Western consumers, weavers here managed to create one of the country’s most desirable rug styles. The angular arabesques and ornamental medallions are not dissimilar from Persian motifs but are executed in a more rectilinear manner and woven in a unique palette that includes bold Mediterranean-influenced colors and chic pastels.
The Oushak rugs have become the rugs of choice for many of the top interior decorators in the world today. Just open any copy of architectural digest and you will see these magnificent carpets adorn the floors of many bedrooms, family rooms and living room floors.
For the most part they are not high quality rugs but that is what makes them so special. Since the knot count is considerably lower than the antique rugs made in Persia – antique Turkish rugs were woven with larger scale patterns. These carpets are also extremely desirable because of their colors – which are usually much lighter and “happier” in feel than rugs from other regions. So if you are looking for an antique or vintage rug with a large scale design and soft colors, theses should top your list.
It is generally believed that rug making in Anatolia began with the advent of the Seljuks in the 11th century. By the 15th century, rugs were being produced by factories and independent weavers in the environs of Oushak. The origins of of the rugs from Oushak must therefore be looked for between these two dates. The rugs of the 15th, 16th, and 17th centuries were widely acclaimed in Europe where they were appreciated and depicted in the paintings of many artists such as Lorenzo Lotto and Hans Holbein. During the 18th century the production of Oushak rugs had deteriorated and became much more commercial.
Although the Oushak rugs are made using less complicated methods, they are extremely decorative in nature. Their larger scale patterns, along with their soft and decorative coloration, make these rugs extremely sought after by the trend-setters and taste-makers in the interior design trade.
Guide to Antique Turkish Oushak Rugs and Carpets
From a relatively early time, during the Ottoman period, the town of Oushak, in western Turkey, has been a major center of rug production. Many of the great masterpieces of early Turkish rug weaving from the 15th to the 17th centuries have been attributed to this center.
After the 17th century, however, the development of Oushak rug weaving is less well known. A number of very large palatial scale carpets of 18th century date have been attributed to Oushak, and also to the town of Smyrna further to the West on the coast of Turkey. The great star and medallion antique Oushak carpets of the late 15th to 17th century were made there, and it is even possible that the various carpets of the so-called “Holbein” type of family were products of Oushak as well. To say the very least, Oushak has a major claim to a long and distinguished tradition of rug weaving which has continued right up into modern times.
The later Oushak or Smyrna carpets tend to have elements derived from the medallion and Star Oushaks, but arranged as allover designs, and in a much coarser or robust weaving technique that corresponded to the large size of the carpets and their designs. As far as we can tell, rugs of this sort continued to be woven into the 19th century although in far fewer numbers. This 18th and earlier 19th century development should be seen within the larger setting of Oriental rug production at this time, which was a period of decline, not in quality but in scale because of the falling off of the European market.
European taste had moved away from Oriental rugs in favor of local European productions. Examples of these European weaving companies are Aubusson, Savonnerie and Axminster which produced carpets in a native, classically derived, European style.
Against this background it would seem that the larger 18th, and early 19th century Oushak or Smyrna carpets, were made for affluent local Turkish consumption.
It is no surprise that theses rugs are sought after. Their bold and embellished designs are the definition of antique style. In soft wool and muted palates, they project a soulful grace that balances everything from mid-century modern decor to old fashioned elegance. These rugs originated in the western Turkish town of Oushak, or Ushak. Through the 15th to 16th centuries, Turkey was a hub of carpet craftsmanship. But by the 1900’s, Oushak became the stand-out center with their decorative, room-sized masterpieces. Often crafted in subtle tones of apricot and saffron, these antique carpets are a favorite among designers for their versatility and particularly soft texture. What we love most about Turkish antique rugs from Oushaks is how they capture primitive design in cosmopolitan style. Persian motifs and angular arabesques project the soulfulness of history, but the overall affect is read as nothing short of sophistication. These are the sort of antique carpets that steal the spotlight in any room, complimenting changing design trends with their timeless style.
All this changed after the middle of the 19th century when Ushak, now Oushak, re-emerged as a major center of production in keeping with the larger revival of oriental rug production in Turkey and Persia at this time. A large and expanding middle class in the Europe and the United States created a sudden new demand for antique Oriental rugs, and like the many other rug producing centers with a long history behind them at this time, Oushak quickly rose to meet it.
We might expect the weavers of the Oushak region at this time to have embarked on a major revival of their greatest hits from their heyday in the Ottoman period, with copies or adaptations of Star and Medallion Oushak types and the like, but this is exactly what did not happen. Times had definitely changed, and Persia had initially taken the lead in the new production of rugs for the western market.
Consequently, it was the floral designs of Persian type, both in medallion and allover formats, that now commanded the market, and it was designs of this type that the Oushak weavers began to develop. And they adapted to this new demand for room size decorative carpets very quickly and in the most remarkable ways.
Oushaks like this were competing with the Ziegler, Mahal or Sultanabad production in contemporary Persia. But their color sensibility is softer and more delicate in keeping with the lustrous silky wool that is the hallmark of the best Oushak carpets.
During the century and a half or so after 1700, when the European appetite for Oriental rugs had fallen off, the volume of workshop weaving in Oushak must have diminished considerably.
When the Western appetite for Oriental carpets suddenly increased in the later 19th century, the number of weavers still active in Oushak itself could not have met this demand, so the town manufactures had to turn to the village weavers of the surrounding areas who had maintained a continuous weaving tradition for centuries. Such village weavers had tended to produce smaller rugs with a strong tribal sensibility. They made rugs with bold geometric designs and rugged kinetic drawing, using large knots and all-wool foundations.
Clearly when these weavers became incorporated into the town Oushak industry, they carried over all of their tribal traditions and sensibilities into the new production of Persianizing large-scale decorative carpets. It would not have been too difficult to fuse such tribal village traditions with the existing town Oushak industry that had continued from the somewhat earlier Ushak and Smyrna large-scale rug production. In this way the style and technique of the Oushaks of the later nineteenth and earlier twentieth centuries was born.
The feeling of these designs is so strongly geometrical that many observers may not even recognize the floral quality of the designs. This geometry comes out especially in the angularity of the vine-scrolls, some of which even become zig-zags.
Despite the bold geometry and tribal sensibility that is so basic to room-size Oushaks from the decades around 1900, they nevertheless remain one of the most elegant types of room-size antique decorative rug or vintage rugs available in the current market.
This is undoubtedly due to two factors – their coloration and their wool. The sweetness and warmth of the Oushak palette, relying as it does on soft terracotta’s, cinnamons, and golds, as well as delicate blues, grays, greens, saffron, and ivory, goes a long way to mollifying and balancing the honest strength of their designs. Similarly, the soft lustrous silken quality of the wool, especially in the so-called “Angora Oushaks,” endows these carpets with an incomparably tactile softness and gentility.
Ultimately, the appeal of antique Oushak carpets is the result of a marvelous balance of opposites – the contrast between monumental and delicacy, between boldness and subtlety, and between classical urban and village tribal design or taste. Only few antique carpets or vintage rug genres can pull off such a tour-de force. But the credit for this achievement goes not only to the Oushak weavers and designers themselves, but also to the complex circumstances behind the development of these carpets.
Characteristics of Oushak Carpets from Turkey
Although fragments of Turkish Rugs from the ninth century CE have been found in Istanbul, they are rare and not well-preserved. It was not until the 13th century that substantial pieces of pile carpets survived. One such group, termed the Konya Rugs, was discovered in layers of antique carpets from within a mosque in central Anatolia. They date to the time of the Seljuks (11th to 14th centuries) and illustrate the fine coloration, weaving and pattern designs for which the Seljuks are so well known. Motifs are stylized renderings of flowers, tendrils and leaves as well as geometric patterns.
Kufic designs, stylized Arabic script are seen on borders of carpets from not only this period, but throughout the continuum of carpet production after the advent of Islam.
Antique Oushak Carpets are often very large sized for architecture that we see around this time period in the Middle East. The medallions resemble designs used on Ottoman manuscript covers. Scholars attribute the Persian rendering of some of these forms to Tabriz artisans who were taken to Istanbul in the 1470’s. Prayer rugs were also important Oushak rug weavings. Several fine examples illustrate the characteristic ornamentation and color common to Ottoman-period Oushak carpets.
Oushak Carpets Evolution and Cultural Significance
The history of Oushak carpets is unique and it is riddled with the kind of fascinating historical developments and apparent coincidences of destiny that make up the most fascinating stories. The art of fine rug weaving has been an integral part of the culture and history of the Anatolian peninsula for millennia. Throughout the lands that comprise the present-day nation state of Turkey, rugs have been woven by master weavers over the course of the centuries. As one ruling dynasty gave way to the next, the rug weaving tradition continued uninterrupted. Many of the surviving 15th century carpets, that are still intact, can be attributed to Oushak weavers.
Over the long centuries that the Turkish people have been practicing this craft, Turkish weavers have been responsible for developing multiple styles and techniques of weaving rugs. They also developed a large array of traditional patterns that are found in antique rugs from all across the Oriental world, even to this day.
Perhaps one of the most famous – and certainly one of the most significant style of Turkish rugs is that which was developed in the western Turkish town of Oushak. Beginning in the early years of Ottoman rule, around the turn of the 13th century, the town of Oushak became an important center of Turkish rug production.
Many depictions of antique Eastern rugs in old Western paintings seem to be of the styles designed and woven in Oushak. This small kernel of information is actually rather consequential since the European attitudes toward Oriental rugs would actually play an important factor in the history of the craft. In the late middle ages, for instance, it is notable that Oriental carpets – and, the historical record indicates, Oushak carpets in particular – were rather in vogue. European lords were keen to own these exotic treasures, which were perceived as status symbols and a sign of wealth and discerning taste.
With great demand coming from Europe as well as within Turkey, the production of Oushak rugs became an important commercial enterprise. However, by the 17th century, European tastes had changed. Rather than preferring the exotic appearing carpets of the Orient, wealthy Europeans began to purchase rugs that were designed and woven in Europe. Especially central to this development was the introduction of the Aubusson rugs and Savonnerie carpets from France.
The French rugs featured richly decorated and ornate patterns that were more in line with traditional European aesthetic preferences. This development is quite notable as it indicates that the production of Oushak carpets at this time (the late 18th through the middle of the 19th centuries) was largely centered on orders that were coming predominantly from within the Ottoman Empire itself.
Naturally, this had an influence on the style of rugs that were being produced in Oushak. The Turkish customers generally preferred more traditional and less ostentatious carpets than those favored by their European neighbors. This remained the status quo for more or less a hundred years, until the middle years of the nineteenth century when everything began to change yet again. During this time period, Europe and the United States had begun the first stages of industrialization. With this new world social order, a middle class began to emerge for the first time. Also, tastes began to shift and suddenly a renewed interest in exotic furnishings from the orient began to take hold.
By the late 19th century, the demand for Oriental carpets was higher than it has ever been. Workshops across Persia and Turkey began producing carpets on a much grander scale than they had before. They were weaving exciting pieces featuring new designs aimed at appealing to the sensibilities of the huge volume of these new Western consumers. In the town of Oushak, in particular, the weavers begun to take note of the designs that were being produced by their Persian counterparts. The antique Persian rugs mostly featured floral motifs that were hugely successful with Western audiences.
This market savvy approach, combined with an ancient weaving tradition, made Oushak an especially important center for rug production during this time. This legacy of rug production in Oushak is quite apparent in the exemplary carpets from this period that grace many homes across the world.
Perhaps the single most intriguing development of this boom in demand is the way it influenced the designs of the Oushak carpets. In addition to adopting the more floral motifs of Persian rugs, that were so popular with Western consumers, the Turkish weavers of Oushak altered their style in a less direct way. They began to bring village weavers into the urban manufactories.
Because the demand for Oushak carpets had grown so immensely and so quickly, there simply weren’t enough classically trained Turkish weavers to satisfy it. As such, those who wove in traditional ways with traditional methods were brought on to relieve some of the burden on the master weavers. Naturally, because of their background in traditional village weaving, these village rug weavers produced Oushak carpets that were less refined and more tribal and nomadic than those that had come before.
Bold geometric large scale designs were woven into these rugs and the knotting was larger than in other pieces. Whether a happy accident, or the as a result of an ingenious master plan, the end result of this process was a new and immediately recognizable style of rugs. Floral and tribal, understated and visceral, these carpets represented a unique coming together of a variety of tastes, and a variety of large-scale historical and cultural developments.
A millennia old craft that held a special status to the Turkish people, the weaving of Oushak rugs became important worldwide. This is due to the fact that the demand was so high and sought after. Oushak carpets have most certainly left their mark on the interior design and decorating trends all over the world.
Also, feel free to also look up our Photo Gallery With Pictures Of Antique Turkish Oushak Rugs
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