Women Weavers of Antique Rugs
Women Weavers — In the world of carpets, it’s the ladies behind the loom who should be appreciated for their unrelenting work and the extraordinary carpets they create. Although many of the names of these talented women weavers have been lost to history, their contributions to the art of Oriental rug weaving should not be overlooked.
When people think of the best rugs, they often recall Persia‘s famous city carpets produced in workshops run by male master rug weavers. These ateliers have certainly produced some great works, but it’s hard to compare these well orchestrated compositions with the quirky village carpets and tribal rugs that were created largely by women.
These talented ladies took care of their children and tended to the household tasks needed to sustain their families. They did all of these things while taking time between chores to add knots and decorative ornaments to a carpet that would be used in the home or sold at a village market.
In villages, an entire room might be dedicated to a carpet loom, and the products might be sold at market to earn extra money. For nomadic rug weavers, the process and day-to-day operations were even trickier.
Although their looms were smaller and more portable, it was still difficult to be ready to be packed up and transported at any time — but these women became experts.
The role women play in taking care of the home and weaving carpets is similar across countries and continents. Whatever type of carpet or kilim they are creating, women always seem to add a bit of themselves to their traditional designs. In Morocco, women weave decorative kilims and luxurious vintage shag carpets. These artists tell stories by adding age old design symbols that mean little to outsiders but have personal significance to the makers and their tribes.
In Turkmen areas, the weaver’s creativity shines through in the elaborate borders, which display a vast level or originality. Women also played a role in workshops, like Kashan’s Motashem atelier. It’s purported, according to Cecil Edwards, that the wife of Haj Mullah Hassan Mohtashem contributed the famous tulip and blossom borders familiar to Arak. Of course, in Scandinavia, women carpet makers were even more prevalent and well-regarded.
While many of these women did not sign or initial their works, it’s important to remember the significant contributions women weavers have made to the world of antique carpets.
This rug blog about Women Weavers was published by Nazmiyal Antique Rug Gallery in Manhattan, New York City.