European Rugs
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Showing all 13 results
Showing all 13 results
Showing all 13 results
European Rugs – The art of rug-making, while traditionally associated with the East, is in fact a global practice that has been ongoing for centuries. Indeed, the history of rug-making in Western Europe is a rich and fascinating story, just as much so as the history of the manufacture of Oriental Rugs. For instance, the history of rug-making in France (one of the first countries in Western Europe to manufacture rugs on a wide scale) is especially compelling. In France, the manufacture of rugs and carpets was initially undertaken by those in service of the King. The Royal rug-makers were commissioned to weave fine pieces beginning under the reign of Louis XIV, known to history as the Sun King.
It would be quite difficult for someone to overestimate just how influential Louis XIV was. Especially his long-lasting impact on French style and sensibilities. It was at this time, during the middle of the eighteenth century, that the Savnonnerie style emerged, as the Royal rug-makers crafted ornate pieces to suit the King’s taste for the elaborate and richly decorative. It was also at this time that the Aubusson style first made its debut on the world stage, crafted as an alternative to the Savonnerie that might have more appeal to a wider range of tastes; rather than being manufactured explicitly for the King, Aubusson rugs were woven to be purchased and to be enjoyed by the French people, especially the French aristocracy.
Shortly after the introduction of the Savonnerie and the Aubusson styles to the world, there was a marked uptick in interest in fine rugs throughout Europe. Suddenly, new styles were emerging throughout the Continent, and the rug-weaving industry was growing rapidly. Soon, the needlepoint embroidery, a European adaption of the from the famed Persian rugs, would emerge. In the following decades (and, ultimately, centuries) a great variety of distinctive European styles of rugs would emerge, solidifying the new European penchant for manufacturing beautiful carpets.
Although examples of knotted carpets were known and produced in the classical world by late Roman times in Egypt, they do not seem to have been part of the larger Roman heritage that passed down to Medieval Europe.
Once the emerging Islamic Empire conquered Egypt in 642, thereby cutting it off from the late Roman or early Byzantine Empire, rugs disappeared from European material culture, with the exception of Spain, which was conquered by the Muslims in 711.
We have no direct evidence for rug production in Early Islamic Spain, but it seems certain that its rulers would have had access to the same sorts of carpet current in the rest of the Islamic world at this time.
Fragments found in the rubbish dump at Fostat in Cairo have in fact been identified as early Spanish Islamic carpets of the eleventh to fourteenth centuries. Spanish production is attested much more clearly from the fourteenth century on, in the period of the Reconquista when Christian Spaniards recovered control of the Iberian peninsula.
Surprisingly though, these late Medieval Spanish carpets still followed the design of Oriental models, especially the Holbein and Crivelli Star patterns of Ottoman Turkey, or the small-scale allover designs of Islamic silk textiles.
After the final expulsion of the Muslims from Spain under Ferdinand and Isabella in 1492, Spanish carpets evolved in more purely European or western styles.
Although they did not produce their own knotted pile carpets, Medieval Europeans were nonetheless attracted to the ones made by their Muslim competitors to the East. The admiring observations of the Venetian merchant Marco Polo on Anatolian carpet production in the thirteenth century were a harbinger of things to come.
As commerce between Europe and the Orient accelerated in the wake of the Crusades, Oriental carpets began to become less remarkable in the West. But what probably did the most to accelerate the European familiarity with Oriental carpets was the emergence of the Ottoman Dynasty, which initially established itself in the Balkan Peninsula and southeastern Europe before taking control of Anatolia and Western Asia.
Since carpets were an important aspect of Turkish material culture, the development of the Ottoman power in the Balkans and the regions to the north must have brought large numbers of carpets to the very doorstep of Central and Western Europe.
When we add to this the role of Venice as a major conduit between Europe and the East and the increase of intra-European commerce generally toward the end of the Middle Ages, it is hardly surprising that Europeans became avid collectors of Oriental carpets over the course of the fourteenth and fifteenth centuries, and in the two centuries that followed as well.
The European appetite for carpets is attested not only by extant pieces whose early arrival in Europe is historically documented, but also by European painting of the fourteenth and fifteenth centuries, and later as well. In truth, the depiction of early Turkish carpets in European master paintings, which can be closely dated, is the basis for Oriental carpet chronology, as well as for the descriptive terminology and classification in carpet scholarship.
Many of the terms or types mentioned above – Holbein, Memling, Crivelli, Lotto, Ghirlandaio, and others as well, are named for the European painters who depicted the carpets. In recent scholarship, John Mills has taken the study of early carpets from the perspective of European painting to new standards of critical analysis. Work of this kind has made it possible to form a much more thorough picture of early carpet production than would be possible purely on the basis of the actual pieces that survived.
Depiction of a “Small Pattern Holbein rug” in a portrait of Georg Gisze by Hans Holbein the Younger, 1532 Gallery of Paintings, Berlin (from V. Gantzhorn, Oriental Carpets, ill. 14).
After the sixteenth century, commerce with the Orient began to introduce affluent Europeans to the carpets of Safavid Persia as well as those of Ottoman Turkey. Persian rugs appear commonly in the works of the great Dutch masters like Jan Vermeer
a month ago
Twenty or so years ago my father gave me a beautiful antique Persian rug - after so many years (and kids and pets) it needed some TLC, so I brought it to Nazmiyal. I just picked it up today and - wow! They got the stains out entirely and the entire rug is brighter; they also made some repairs - it's back in my living room and looks fantastic, and the bill was lower than I'd expected. Overall it was a great experience - the people are wonderful, the work was perfect, and I saw so many beautiful rugs at their store that I found myself wishing for a larger apartment. Next time I need any work done on a rug, or find an open bit of floor I know where I'll be heading.
4 years ago
It is always a delight going to the Nazmiyal showroom. This Qashqai is one of several purchases made over the years, and mom is truly enjoying it. Jason and the staff are very knowledgeable and friendly. They listen to the customeru2019s needs. When I go to the showroom, it is like visiting my family because we have the same appreciation for the textile arts.nnOriental carpets are a rare discipline to be educated in, because you canu2019t go to a university to have certain types of training and experience, such as knowing the cultures and processes of carpet weaving. Jason has such a refined eye that he can distinguish a good rug from a great rug, and that knowledge is offered to the customer to elevate their point of view.nnComing here has been an initiation into a world of culture, art, and beauty which has sustained me, and for that I am grateful.
4 years ago
Loved my runner rug purchase from Nazmiyal. Love the ability to purchase, try and return if it didn't work out! I had it shipped to California and everything worked out beautifully!
a year ago
NAZMIYAL is the best source for antique and vintage rugs and carpets. Staff is extremely knowledgeable, Jason himself is an amazing dealer who handpicks each and every piece in his stunning collection and is happy to educate the consumer, not just make a sale. I always trust his experience and great eye for all my spaces!
4 years ago
I had an absolutely wonderful experience working with Nazmiyal. I was very impressed by their selection, the quality of their beautiful carpets, and their extremely reasonable prices. Really I cannot say enough about how helpful everyone at the gallery was - especially Omri, work with him if you can! - and how happy I am with my new antique rug. Five stars, highly, highly recommended!