History Of Antique Egyptian Cairene Rugs
Antique Cairene Rugs – Carpets from Egypt are among the most enigmatic and interesting within the broad spectrum of oriental rugs. Their stylistic evolution reflects the turbulence of historical events and conflicts of dynasties throughout the history of the Middle East.
The carpets produced by Mamluks do not have a known precedent. After the demise of the Mamluks, the tradition died. When the Ottomans rose to power, some of the technical characteristics were continued in the production of Egyptian carpets, but the essence of the motifs changed. It is not known where the carpets were woven, although scholars assume that production was in Cairo under court patronage. Mamluk carpets are rare; many of those in existence today are housed in museums throughout the world. Others are in private collections.
Several unique attributes characterize Mamluk carpets. The palette is usually limited to three colors: saturated reds, blues and greens. Some carpets use four, five and six colors that include the basic three plus white, brown and yellow. The origin of the dyes is unknown. Some scholars attribute the red to lac from India, but this has not been substantiated.
Color is also used in the warp and weft threads. Warps, in sets of four, are dyed green, creating a striped effect. Wefts are often pink or red, using two or three threads per row. The wool is lustrous; when combined with the depth and quality of the colors, a shimmering, jeweled effect is created. The origin of the wool is not known; it does not come from sources near Cairo.
The designs are geometric, precisely woven because of the regularity of knotting. The asymmetrical or Persian knot is used. Knot count is within the range of 100-130 knots per inch, with the same number of knots woven both vertically and horizontally. This regularity allows the creation of perfect circles and crisp polygons including eight-pointed stars, overlapping shapes and squares within circles.
Mamluks typically feature a square central motif within a rectangle. The motifs reflect designs used in the architecture from this period. Other carpets include several large medallions of geometric shapes. Motifs were repeated and radiate out from the center. Geometric designs contain small, stylized flowers, leaves and other vegetal representations.
After the Ottoman conquest of Egypt, Mamluk designs were not produced. Ottoman carpets produced in Egypt, termed “Cairene,” continued to use the asymmetrical knot and color schemes of the Mamluks, but the design elements reflect Persian stylistic rendering. This was a major change in both design and technical execution for the Turkish Ottomans. Graceful floral designs, palmettes, leaves and medallions, the sez style, replaced the stylized geometric designs used on Anatolian rugs up to this time. The asymmetrical knot used by the Persians and Mamluks was used to execute these sinuous motifs, rather than the symmetrical knot used in Turkey and many parts of the Caucasus. Many of these carpets are large, court or palace-sized, created for noble patronage.
A small group of prayer rugs may have been produced in Cairo during Ottoman rule in the late 1500’s. Although the exact provenance is not known, the stylistic conventions used by the weavers lead some experts to believe these originated in Cairo. Naturalistic floral designs and the traditional mihrab were woven into smaller carpets used as prayer rugs. The inventory of carpets belonging to the Medicis, compiled in 1623, included a Cairene prayer rug. Antique Cairene rugs are some of the most collectible rugs and are found in museums around the world.