The Beauty Behind Iranian Textile History
Iranian Textile History — The recorded history of the civilization of what is modern day Iran stretches back as far as the third millennium BCE, and their textile production goes back even farther. Situated between the Caspian Sea to the North, and the Persian Gulf to the South, the area now known as Iran has been a trading region and cultural epicenter for thousands of years. It has seen the rise and fall of many different dynasties, powers, and influences, which have all left distinct cultural marks on the artistic output of the area, giving Iran’s textiles a unique look and history that is impossible to replicate. In this post, we’ll take a look at several examples of Iranian textiles in the Nazmiyal Collection, and explore their cultural context and significance.
Antique Persian Suzani Embroidery, Circa 17th Century
This embroidered textile was woven during the 17th Century, at the height of the Safavid Empire in Iran. The Safavid period is considered by historians to be a glorious time of artistic output in the region, as the rulers of this dynasty allotted large sums for cultural enrichment and state-sponsored craft work. The Safavid Era began in Iran at the start of the 16th century. The Safavid rulers were able to unite the various territories of Iran, and strengthened their power by establishing new military and political structures within the region. As a result, a more unified culture was established, complete with its own style of architecture, artwork, and woven crafts.
The textiles that have survived from this period are regarded as some of the most brilliant embroideries and carpets of the region’s history. Many are floral, featuring symbolic cypress trees and boteh plants, while others are pictorial, giving viewers a glimpse into the dress and lifestyle of 16th and 17th century Persians. The textiles created during this time period were used as both decorative fabrics as well as made into garments. Wealthy members of the Safavid court are recorded to have taken great pride in the number of silk and embroidered garments they owned, and it is written that Shah Tahmasp I (1514 – 76) was rumored to change his outfit up to fifty times per day!
Antique Persian Silk Textile, Circa Mid 19th Century
Although the Safavid Dynasty is considered one of the greatest in Persian history, it fell in the mid 18th century, over a period of seven major conflicts and five decades of fighting, which drove the lives of the people of the region into turmoil. Because of this, artistic production during the 18th century declined, although textiles were still being produced on a less grand scale.
At the start of the 19th century, a new ruling family, the Qajars, came into power. This family had the intimidating task of rebuilding an empire so ravaged by civil war and unrest that at the time, a member of the French Embassy referred to Persia as “more or less a vast cemetery”. In order to establish themselves as the undisputed rulers of the tumultuous region, the Qajar family carefully established its image to resemble previous high-powered leaders, from the decoration of their lavish palaces, to their gold embroidered and jewel adorned robes.
The rulers of the dynasty, which would last until 1925, were excellent at using art as propaganda to establish their power. Because of their dedication to exhibiting their wealth, the Qajar court employed many skilled tailors, and textile creation once again reached the height of opulence and extravagant detail. Although tailors were employed by the courts, textile weaving and embroidery was still a cottage industry in the region, and contracts were assigned to various skilled weavers in cities like Kerman, Isfahan, Tabriz, and Kashan.
Antique Persian Shawl, Late 19th Century
For much of the 19th century, the majority of textiles created in Iran were sold locally. While Western Europe was increasingly interested in gaining territory in the middle east, that interest did not extend to buying finished products from the region until the turn of the 20th century. The one outlier of this trend is Russia, which from the onset of the 19th century was a major importer of Iranian goods and Iranian textiles. The Russian market for Persian Ikats and Paisleys, such as the Paisley shawl above, continued to gain strength from the early 1800’s on.
An influx of of factory-made European fabrics into Persia starting in the 1840’s hurt the Iranian textile industry immensely, as they were much less expensive than Persian-made fabrics, but could be printed with the same patterns to suit Iranians’ tastes. Large import taxes were placed on European goods by the Shahs in order to help Iranian industry, but for a time it seemed the region’s textile industry would never recover from the hit of cheap European imports. To make matters worse, a severe famine at the end of the 19th century left one-third of the population of Southern Persia dead, and 284 textile workshops in Isfahan were forced to close. It seemed that the region was destined to rely on European imports to survive.
Antique Ghashgai Persian Overcoat, Circa 1900
Although textile manufacturing in Persia took a strong blow at the end of the 19th century, weaving and embroidery were still respected crafts, and luxury Persian-made fabrics and garments were still in high demand by Iranians who could afford them. This overcoat is an example of one such luxury garment. Overcoats such as this were only worn by the wealthiest members of society, and were elaborately detailed and embroidered with metallic threads. The long sleeves of these coats were either worn fastened to the wrist with ties or buttons, or open and left hanging by the wearer’s sides. The sleeves of these coats were woven to be extra long, to allow the wearer to conceal his hands within them, which was a sign of respect when in the company of a higher-ranking official.
Ironically, although the Iranian textile industry was on the decline, European taste for equally elaborate Persian carpets and rugs during the late 19th and early 20th century was exploding, and exports to Europe and the United States rose steadily. Despite Iran’s tumultuous history, it cannot be denied that the region’s textiles are some of the finest and most elegant in all of the world. The Nazmiyal Collection is proud to showcase its Iranian textile collections, and to help bring awareness to the craftsmanship of these beautiful, historic fabrics.